Renowned film comedy star Gene Wilder of Stamford said Wednesday that, when he was 11, he watched his sister perform onstage - and immediately decided he wanted to be an actor. Wilder - the original screen Willy Wonka in 1971, who also gave classic performances in movies such as Mel Brooks' comedies "The Producers," "Young Frankenstein," and "Blazing Saddles" - told of his youthful epiphany during a short speech in accepting a lifetime achievement award from the Connecticut Commission on Culture and Tourism.
Wilder, 74, related the story to a couple of hundred listeners in the marbled atrium of the Legislative Office Building in Hartford, during a ceremony in which he and three others were honored with Governor's Awards for Excellence in Culture and Tourism. He recalled:
"This all started for me when I was 11 years old and I saw my sister do a dramatic recital of Guy de Maupassant's 'The Necklace.' And there were about 200 people - about this size - at the Wisconsin College of Music, and everyone was talking a lot. And then the lights went down and a spotlight hit the center of the stage, the curtain opened, and out came my sister. And for 20 minutes she did this - she memorized this - dramatic reading. And you could hear a pin drop. And I thought to myself that that must be the greatest feeling you could get, unless you happened to be God.
"And I went up to her teacher afterward, and I said, 'Mr. Gottlieb, could I study with you?' And he said 'How old are you?' I said, 'eleven,' and he said, 'If you still want to when you're 13, come back and see me.' And the day after my 13th birthday, I went back to see him.
"I started studying acting. I didn't really know what acting was. I just knew I wanted to be an actor - I think because of that performance that my sister gave - and when I was 16, I did my first season of summer stock, near Poughkeepsie. And after the season was over I went to New York, and I saw 'Death of a Salesman' by Arthur Miller, starring Lee J. Cobb and Mildred Dunnock. That's when I got my first real glimmer of what acting was - and 14 years later I was in the TV two-hour special of 'Death of a Salesman' with Lee J. Cobb and Mildred Dunnock. And several years later I got to know Arthur Miller. And I just want to thank the commission for this wonderful honor, and especially because Millie Dunnock and Arthur Miller also received this award. And I would like to thank the mainstay of my life, Karen Wilder, for these last 18 years."
Wilder - who also is a writer, director and producer - received the award and some analytical praise of his talents from Steve Karp of Stamford, founder and producing director of Stamford Theatre Works.
"While many may easily acknowledge that the ability to make people laugh is a genuine talent, few understand how really difficult it is to do, especially in a dramatic context," Karp said. "I personally consider the magnitude of Gene Wilder's talent to be on a par with those considered to be among our greatest comedic film stars, including Charlie Chaplin and Buster Keaton. Gene's sensitively intelligent, quirky, quiet, warmly romantic, and often underplayed comedy - akin to Chaplin's and Keaton's - comes from an extraordinary understanding of human behavior, in tandem with a unique gift for knowing just exactly what is funny.
"But it is Gene's considerable training as an actor that has enabled him to reveal the humanity in all his portrayals, so that even his most eccentrically comedic performances are grounded in the human truth and experience of his characters. This takes more than simply talent. It takes years of hard work and the accumulation of knowledge of just what makes people tick."
Karp noted that Premiere Magazine in 2006 ranked Wilder's title-role performance in "Young Frankenstein" (1974) as No. 9 among the "100 Greatest Movie Performances of All Time." For what it's worth, according to the website www.filmsite.org, Wilder's performance outranked No. 10, Robert DeNiro in "Raging Bull" (1980), while the eight above Wilder were: No. 8, James Stewart in "It's a Wonderful Life" (1946); No. 7, Dustin Hoffman in "Midnight Cowboy" (1969); No. 6, James Cagney in "Yankee Doodle Dandy" (1942); No. 5, Bette Davis in "All About Eve" (1950); No. 4, Al Pacino in "Dog Day Afternoon" (1975); No. 3, Meryl Streep in "Sophie's Choice" (1982); No. 2, Marlon Brando in "On the Waterfront" (1954); and No. 1, Peter O'Toole in "Lawrence of Arabia" (1962).
--Jon Lender
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